Isolation
Room/Gallery Kit took part in an exhibition hosted by the ACE
Curatorial collective at Hunter College in New York titled I know you know I know you know I know.
The event took place from January 28-29, 2011 at the Hunter
College Times Square Gallery/MFA Building at 450 West 41st Street.
Isolation Room/Gallery Kit, St. Louis (Daniel McGrath & Dana Turkovic)
To keep with the “educational” theme provided by ACE, REVENGE 101
is a project that consists of the basic Gallery Kit design in modular
and deconstructed form. Both art history and curatorial studies are
analyzed through a semi-installed “revenge” themed exhibition and a
projected video organized in the spirit of a tele-course lecture. A
voice over delivered by Dr. Christopher Parr, a religious studies
professor at Webster University articulates a text written by one of the
accusers of the Wikileaks founder Julian Assange. The presentation in
the video explores the theme of crime, vengeance and vandalism through
images from popular culture, art history, cinema, and memorable moments
in photojournalism all depicting both famous and infamous acts of
revenge. This combination is a play on themed research, convoluted art
lectures, ambitious curatorial endeavors, and exhibition design that is
both humorous and uncanny.
In its current state, Isolation Room/Gallery Kit
in St. Louis is a box built at 7’ x 7’x 9’ that occupies the curators’
dining room plus a carefully selected drawing, painting or sculpture.
The Gallery Kit ideally can be built in any existing interior space at
minimal “DIY’ cost. The gallery kit re-imagines the ideal integration
between art and life, public and private. This evolving project focuses
on one artwork per exhibition cycle having each piece placed in a
physical state of quarantine, situated in a modular viewing space
inviting an extended period of contemplation. Building on an ongoing
interest in containment, the constructed room allows for the smallest
possible collaboration between the gallery space, curator, artist and
audience. At its core one work stands in isolation providing an
opportunity to protect work from a forced theme, loose contextualization
or commercial exploitation. By placing the individual piece as a
subject in isolation the work is then encouraged to exist and be
perceived from an aesthetic standpoint.
www.hunterace.wordpress.com
We would like to thank Joan and Mitchell Markow for their generous gift with additional support from the Santo Foundation.
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